A literary event of extraordinary dimensions—the first single-volume
edition of all of Isaac Babel's work.
Considered one of the greatest writers of the twentieth century—and the most
revered short-story writer since Chekhov—Isaac Babel (1894-1940) left an
extraordinary literary legacy that continues to grow, remarkably, more than
sixty years after his death in Lubyanka Prison at the hands of Stalin's secret
police. Despite Babel's celebrated stature—which had already been achieved
during his lifetime—the whole of his work, owing to his arrest and the state
of affairs in the Soviet Union, was never assembled in one place.
This magnificent edition of Babel's collected work fulfills a lifelong ambition
of Babel's daughter, Nathalie, who has authorized and edited the entire
collection, and has collaborated with award-winning translator Peter Constantine
in readying the work for publication. Every story or selection included in this
volume (147 in total) has been newly edited and translated, beginning with
Babel's first published story, "Old Shloyme," originally published in
1913, and concluding with two scenes from a screenplay that Babel did not live
to see made into a film. Included in The Complete Works are stories that
will be familiar to Babel enthusiasts, like the "Red Cavalry" cycle
and his diaries, as well as untranslated stories and other works that appear in
English for the first time.
To read Babel is to relive the wild and often terrifying swings of
twentieth-century Russian history. No writer has conveyed with such emotion and
convulsive energy the tragic story of a modern nation that remained a prisoner
of its brutal and repressive past. Combining the compassion of Dostoevsky with
the mordant wit of Chekhov, Babel injected a daring social criticism and a
palpable sexual tension into the literary climate of post-tsarist Russia. In the
process, he created a style so vivid, so lacerating, and so utterly hypnotic
that his stories have come to define the sanguinary landscape of the Soviet
Union in the years between the two world wars.
As these stories illustrate, and as Cynthia Ozick insightfully observes in her
passionate introduction, Babel was a man of acute contradictions. Born in the
cosmopolitan port city of Odessa during the long reign of Alexander II, Babel
was quite competent in both Hebrew and Yiddish but, influenced by both Flaubert
and Maupassant, wrote his first stories in fluent French. His often comic
portrayal of characters—such as the ruthless Jewish mobsters depicted in his
Benya Krik stories—resulted from observing them firsthand as a boy in the
Moldavanka neighborhood of Odessa. As Ozick notes, the "breadth and scope
of his social compass enabled him to see through the eyes of peasants, soldiers,
priests, rabbis, children, artists, actors, women of all classes. . . . He was
at once a poet of the city ('the glass sun of Petersburg') and a lyricist of the
countryside ('the walls of sunset collapsing into the sky')."
Arranged sequentially in fourteen sections, The Complete Works traces the
entire arc of Babel's literary career, beginning with early stories, which are
followed by The Odessa Stories and The Red Cavalry Stories. Also included are
his Reports from St. Petersburg (1918), the remarkable 1920 Diary, and reports
from Soviet Georgia and France, where his wife, Evgenia, and his daughter,
Nathalie, lived. Many of his later stories (1925-38) reflect a compelling
literary quality and abrupt change in style that have challenged translators for
years. An accomplished playwright and screenwriter, Babel, at the height of his
popularity, began writing for the Soviet cinema as early as the 1920s, and many
of these works have never been translated before. This edition also includes a
foreword and a biographical afterword by Nathalie Babel, a translator's preface
and annotations throughout by Peter Constantine, and a chronology by Gregory
Freidin, regarded as one of the foremost Babel scholars in the world.
Unprecedented for both its literary and its scholarly achievement, The
Complete Works of Isaac Babel will stand as Babel's final, most enduring
legacy.
"Babel is altogether the artist, drawing the reader completely into a new
view of the world."—Alfred Kazin, New York Review of Books
"A talent of great energy and boldness."—Lionel Trilling
November 2001 / slipcased hardcover / ISBN 0-393-04846-2 / 6" x 9" / 992 pages / Fiction